Microphase Audio Design · handcrafted loudspeakers

SAT MK3.3The compact flagship.

A three-way compact monitor built around bespoke Audax drivers, a time-aligned tweeter and refined crossover components, in a clear-finished marine-grade birch-plywood cabinet.

Current price and availability confirmed directly with MAD
SAT MK3.3 loudspeakers with grilles SAT MK3.3
3-wayCompact monitor
13 cm + 17 cmBespoke Audax main and rear drivers
90 dBSensitivity · 1 W · 1 m
100 WPower handling
SAT MK3.3 loudspeakers with grilles

Design & listening

More room for the drivers. The same compact idea.

SAT MK3.3 moves to a slightly larger cabinet than the earlier SAT designs. A 13 cm main driver and 17 cm rear driver are made specially for Microphase by Audax in France.

The MK3.3 version introduced an improved crossover in October 2024. Its tweeter uses an in-house-designed 3D-printed faceplate, while crossover components come from Mundorf, SCR and Dayton Audio.

The art and the science

The design, in detail.

Explore the choices behind SAT MK3.3.

01 · French drivers

A bespoke Audax system.

A 13 cm paper-cone main driver with phase plug works with a 17 cm rear bass driver and Audax tweeter.

02 · Crossover refinement

Components chosen for the design.

The published design combines Mundorf, SCR and Dayton Audio crossover components with Linkwitz–Riley phase alignment.

03 · Compact construction

Birch ply and bi-wiring.

The marine-grade plywood cabinet has a clear polyurethane finish and supports bi-wiring.

Measured and listened to

The response is part of the story. Music is the test.

Microphase publishes measurements alongside its product information. Discuss your room and system with Jean-Marie to put the response into listening context.

Emotion is the measure. Engineering is how we get there.
SAT MK3.3 published frequency response measurement
Hover over the measured graph to explore each frequency range.
Sub-bass 20–60 Hz

Felt more than heard. The weight under a kick drum, a pipe organ's pedal notes, the rumble of a synth bass line, the floor of an orchestra.

Kick drum · pipe organ · synth sub · double bass low notes

Bass 60–250 Hz

The engine room. Punch, groove and body live here: the bass guitar's fundamentals, the thump of a kick, the lower notes of cello and piano.

Bass guitar · kick drum · cello · piano left hand · toms

Lower mids 250–500 Hz

Warmth and fullness. The body of an acoustic guitar, the chest of a male voice, the wood in a string section. Too much here sounds muddy; the right amount sounds rich.

Acoustic guitar body · male vocals · viola · French horn

Mids 500 Hz–2 kHz

Where the music lives. Almost every instrument has its core here: vocals, snare, horns, guitars and keys. If the mids are honest, the whole recording makes sense.

Vocals · snare · trumpet · electric guitar · piano

Upper mids 2–4 kHz

Presence and intelligibility. Your ear is at its most sensitive here, so consonants, pick attack and the bite of a horn section come forward. A little goes a long way.

Vocal consonants · guitar attack · violin · saxophone

Presence 4–6 kHz

Clarity and definition. The snap of a drumstick on a rim, the edge of a cymbal, the detail that makes a voice sound close rather than distant.

Cymbal strike · rim shot · vocal sibilance · plucked strings

Brilliance and air 6–20 kHz

Sparkle, shimmer and space. Cymbal decay, a singer's breath, the sense of the room around the performers. This is what makes a recording feel open.

Cymbal shimmer · breath · hi-hat · room ambience

Published product measurement. Frequency-band descriptions explain the listening ranges; no additional response values have been inferred from the image.

Technical details

Specifications

Published product details for SAT MK3.3.

Discuss my system
Configuration
Three-way miniature monitor with bi-wiring and time-aligned tweeter
Cabinet
Marine-grade birch plywood with clear polyurethane finish
Main driver
13 cm bespoke Audax paper-cone driver with phase plug
Rear driver
17 cm bespoke Audax paper-cone bass driver
Tweeter
Audax, with in-house 3D-printed faceplate
Dimensions
180 × 250 × 250 mm
Frequency response
70 Hz–20 kHz ±6 dB
Efficiency
90 dB / 1 W / 1 m
Phase
±18 degrees from 20 Hz to 20 kHz
Nominal impedance
4 ohms
Crossovers
400 Hz · 12 dB/octave; 4 kHz · 12 dB/octave; Linkwitz–Riley phase alignment
Power handling
100 W

A closer look

Hear the difference

Could SAT MK3.3 be right for your space?

In SydneyArrange a personal listening session with Jean-Marie.
Elsewhere in AustraliaShare your room, amplifier and listening habits for a personal recommendation.

Contact Jean-Marie directly about SAT MK3.3. Your email will include the model name, so he knows which speaker you are asking about.

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Ask Jean-Marie about SAT MK3.3.

Discuss your room, system and any suitable personal refinements directly with the maker. MAD will confirm current price, availability and order terms.

Ask about the SAT MK3.3